|
A
tribute to the legend that was the:

| Early
Material: 1990-91 (listed in order of composition) |
| No
Matter |
| After
we had managed to crash through a few rehearsals, playing very
simplistic versions, of other people's songs. We decided maybe
we should try and write something ourselves. This musical and
literary master piece, was the result. hmmm. The 'I wonder'
line, came off the top of my head, when Andrew C suggested a
working title of 'Brainless Wonder'. The rest of the words came
very quickly, when I got home. It took us the next couple of
rehearsals to get something resembling a song, and then we had
it. Our first number, and we could almost play it. |
|
Do
you think I think not, do you care, you can't not.
A spark of light and then it's are you alive, no your life's just
a con.
I wonder, yes I wonder, have you got anything between your ears.
I wonder, yes I wonder, had you no mind all your years.
Your so brainless, your brainless.
You can't think, for your self.
Yes your brainless, your brainless.
Brainless.
Do you know where you're going, think before you leap.
You've gone and sone all your seeds, and now there's nothing to
reap.
If we looked inside your cupboard, it would be bare,
Vegetables inside your head, and you don't even care.
|
| The
Outsider |
| Being
a bit older, Shamus was better player than the rest of us. Once we
decided we needed to write another song, he produced this well formed
idea. He even had some words written, which I added to. The first
verse and chorus, are his. The bridge and second verse are mine. We
didn't really settle on a structure until Simon Adams had joined the
band. For an early attempt it worked very well, and we continued to
play it long after Shamus left the band. |
You
are the new kid, better shoot through kid,
you are not wanted dead or alive.
You have no friends boy, better go home boy,
home to your mother she's all you've got.
You're the outsider, you're the outsider.
Why why why do you have to come at all.
You're not one, you're not one, you're not one of us.
I try to fit in but I'm just kicked in,
Why don't they like me, what have I done.
First they graze me, then they erase me,
why can't I fit in please please help me.
I'm the outsider. |
| Twist
of the Knife |
| I
can't remember if this was a Bad News type piss take, or if
we actually were trying to write a heavy metal song. It was
probably a bit of both. I doubt we really knew what we wanted
to sound like, at this point. The structuring of the song was
a band effort, but it grew from a couple of riff's Andrew C
came up with. Listening to it now, it's a not very good song,
with some terrible lyrics. We soon stopped playing this one
when we had a few more songs, and eventually gave it a much
needed overhaul. It became Get
A Life. |
Just
because I don't want to do what you do,
just because I don't want to be what you want me,
I've gone on to other things, can't you see the pleasure it brings.
Don't you tell me what to do,
why the hell should I want to be you.
If you don't like me get off of my case, or at least say it to my
face.
Twist of the knife.
Back stabbing going on, twisting the knife, when I'm gone.
Back stabbing going on, messing my life, tell me what I've done.
How many times must I tell you,
your life is so very untrue,
tell your friends how to think, fucking hypocrite your views stink.
Just because your daddy's rich, and your mothers an unreasonable bitch
you think you know every bit, but I'm afraid you don't know shit., |
| Curfew |
| Out
of all our songs, this was what I would call a real group effort.
Everyone came up with at least one part of it. The main song was heavily
influenced by the Misfits, which we were all very much into. We decided
to stick this extreme punk song together, with a very mellow intro
Simon had written. The desired effect was reached, and subtle it was
not. The words were the result of listening to too much Neds Atomic
Dustbin, and Sex Pistols. It shows. This song had a bit of a musical
overhaul, when Andrew W joined. |
|
Cut
my way through the wire fence, bring her home late the worst offense,
"Hello", I walk through the door, a hand grabs me and
I'm on the floor.
Spotlights turned on me, a hundred and one questions, maybe hundred
and three.
"Where the hell have you been, I was home early when I was
16".
9.32 it's curfew,
9.32, 9.32, 9.32, curfew.
I got up shouted stick your rules,
called her mother and father stupid fool.
What the hell am I doing must be mad, she's so good, but their so
bad..
|
| Opposite
Attractions |
| At
this point, there was definitely a jump forward in Andrew C's playing,
and writing. When we started jamming this new idea he had, we stopped
and all said "wow, that was fucking good". This was probably
one of the main reasons for Simons departure. The more Andrew improved
as a player, the more Simon felt redundant. He left before we'd even
put the finishing touches to this new track. To be honest this was
probably the first decent set of lyrics I'd written so far. Even these
you couldn't exactly call poetry. They were an updated version of
some scribblings I'd written even before we started the group. It
was a case of 'I'm not in love, so love sucks'. General teenage angst,
but still funny. |
I
see you looking, looking at me, once every minute, two or three,
you've got that look of love in you're eyes,
you wouldn't hurt me or tell me no lies,
All these kind things you try to do,
but I've got just one thing to say to you..
I hate you, my plan was just to bait you cause I hate you, I hate
you.
Did you think I loved you did you think I cared,
ha stupid you're love for me was not shared,
I'm not sorry I didn't like you, I'm not sad I didn't care,
just to look at you makes me sick, if you think I could have loved
you, you must be thick, You.
Words like that they cut my wrists.
Shut your hurting mouth and they might miss. |
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